When I was in grade 2, my teacher had our class put on a play in our school’s basement – it was the classic fable, The Little Red Hen.

If you’re not familiar, The Little Red Hen is the story of a hen who sets out to make some bread – from scratch. And at each stage in the process, she calls on the other farm animals to help her out. But, being lazy or otherwise occupied (or perhaps suffering from celiac?), they always refuse.

So, once she finally finishes baking the bread, she refuses to share.

I believe the intended moral of the fable is that if you do nothing, you get nothing.

But my young brain framed things differently. My interpretation was, if you do everything, you get everything.

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This year, a couple of high-profile streaming romances have shared a certain theme: A slightly older woman falls for a younger celebrity, to the displeasure of her young adult daughter.

So, hooray??

Really, I do applaud the older woman representation which is probably long overdue. But, I’m not convinced putting all your eggs in the mother-daughter conflict basket is really the way to go in a romance.

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It’s funny how not-fun the The Idea of You is considering it’s probably the purest wish-fulfillment fantasy I’ve ever seen.

Okay, I hear you wondering, isn’t all romance wish-fulfillment?

Yes, to a degree. It’s not unusual for people to dream of love and a happy ending, and romance provides readers with a way to live and relive that kind of wish.

And I personally don’t think there’s anything wrong with that! Escapism really isn’t a problem, unless it’s somehow getting in the way of your real life. (And I don’t think it gets in the way very often.)

So why am I making a big deal about wish-fulfillment in The Idea of You?

I shall explain.

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I didn’t think I’d like this movie.

I disliked the trailers – they featured mostly action scenes, lame action humour (most of which does not appear in the film, btw), with a small side helping of mild, low-conflict romance.

Plus, I think I’ve become suspicious of all A-list action-romances since The Lost City and Shotgun Wedding, which were both pretty ‘mid’ (as my son would say).

But, hey Mikey, I liked it!

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Have you ever read or watched a romance that seemed to have all the right elements in place – the meet cute, the attraction, the conflict, the I love you’s and the happy ending – but it just felt…

Flat?

Of course you have.

The problem with those stories is they lack romantic tension.

You know romantic tension, right?

It’s that feeling of being on the edge of your seat, itching, quaking, shaking while you wait for two characters to FINALLY get together.

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Finally, this movie came out!

Ok, bad pun. And it actually came out, on Prime, way back in August. I did watch it within a day or two of its release, but it’s taken me this long to get to writing this critique.

And usually, my critiques end up being very, um, critical. But, I liked this movie, not gonna lie, so this time I’m going to focus on what I liked, and then answer the most important question of all (at least, where romance movies are concerned): Is it romantic?

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This blog is about romance and writing, but also about my life as a romance writer. 

But, I realized I haven’t posted anything about publishing my first book yet!

The book is called His Brother’s Mistress, and is about what happens when gorgeous CEO Matt Valetta finds Lucy Alberti living in his recently-deceased brother’s apartment in Rome, and assumes she was his mistress.

So here’s my story of publishing this book…

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In March I wrote about how the relative status of heroes — alpha, beta, and gamma — affects romantic stories.

I suggested that romance writers tend to pair opposites, like alphas with betas, but that gamma heroines matched with gamma heroes make for more interesting stories.

So in this post, I’m going to put my theories to the test, and find examples of status pairings in romance movies, and see how they impact the story.

So let’s dive in!!

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